Alan is a
superstar singer at the top of his game, as well
as a happily married man and a father to three
lovely children. So why does he sound so down?
About half of Alan's 10th album is taken up
with songs of loneliness and despair, and he
delivers them with enough to conviction to
convince anyone he means 'em. The pain is
insinuating in "You Don't Have to Paint Me a
Picture," almost supernatural on "Rainy Day in
June" and played for laughs in "If French Fries
Were Fat Free" and the "Act Naturally"-styled
"USA Today" - all written by Alan. Best of all
is Erin Enderlin and Brent Baxter's "Monday
Morning Church," about a man questioning his
faith after the death of his wife. Graced by
compelling religious imagery and a harmony vocal
from Patty Loveless, it's one of the finest
moments of Alan's career.
Don't worry - there is some cheer amid the
gloom. The Top 10 "Too Much of a Good Thing" is
a straightforward celebration of hearth and
home, "To Do What I Do" is an even more
straightforward thank-you to Alan's fans, and
"The Talkin' Song Repair Blues" is just a hoot.
"There Ya Go" is a wise, warmhearted charmer,
while "Burnin' the Honky Tonks Down" cranks the
story of a vengeful woman into five churning
minutes of barrelhouse country. A couple of
standouts, "Strong Enough" and "If Love Was a
River," were penned by Alan's nephew,
up-andcomer Adam Wright.
Musically, What I Do sticks close to
traditional country - the blockbuster status of
his previous album, 2002's Drive, clearly hasn't
tempted him to try crossing over or gussying up.
Instead, Alan continues to make a sweet science
of simplicity - and that's nothing to be sad
about.
Published on: October 7, 2004